The Alexander Technique and the alphorn

The sound of the alphorn is calm, expansive and deep. Unfortunately, this calm and breadth can quickly turn into strain and narrowness when playing. The sound is not responsive, the pitch is lacking, the quick and clean change between notes is not successful or the sound does not carry as far as desired. Instead of remaining calm and meeting the challenge in a thoughtful way, we usually try harder and restrict our breathing in the process. At first, we may

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Sound proof alphorn practice room

This summer I published an article about alphorn silencers here. If you have the space at home, you can of course build a soundproof practice room as an alternative. Here are a few photos of my latest project. Material costs approx. 1500 CHF, around 4-5 working days for a 12 square meter room. All walls / ceiling double in 15mm plywood; ventilation with sound labyrinth. Measured insulation approx. 33 db.

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Lip training

The first months on the alphorn are for beginners mainly a struggle with the lips. After just a few minutes of playing the alphorn, the muscles go slack – then it just croaks, high notes no longer come and the lips hurt. The usual advice is “be patient, it will come in time, just don’t push it…”. That may be. But isn’t there a shortcut? What was that again about bodybuilding for the lips? If you do some research on

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The Alphorn and the Voice

The alphorn presents such a unique, timeless beauty in its natural production of the overtone series; a sound that captivates with its resonance and simplicity. However, the absence of any kind of keys or valves means that they player is entirely responsible for vividly hearing the correct pitch before playing it. Unlike a piano or a fretted guitar string, the alphorn will never inform the player what the correct pitch is. For this reason, it requires a very clear musical

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The perfect alphorn mouthpiece

For an article by Robert Scotton on the same topic (in French), see here. The question here is, “How do I find the alphorn mouthpiece that best suits me and my alphorn?” This is not a topic for beginners! At the beginning of the alphorn career, the mouthpiece feels unfamiliar, and there is a lack of reference to classify subjective impressions. For the first few years, you should therefore refrain from experimenting. Better to settle on an “average” mouthpiece from

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